English

すし検定

Contents Chapter 11 Judging and Buying Fish
    1. IntroductionHow to Use This Book: The Scope of Grade 2 and Grade 1
  1. Part I Food Safety

    1. Chapter 1Sushi Around the World and the Reality of Hygiene
    2. Chapter 2Microorganisms and How Spoilage Works
    3. Chapter 3Food Poisoning in Sushi Restaurants
    4. Chapter 4Cleaning, Disinfection, and Preventing Foreign Objects
    5. Chapter 5Temperature Control and Inventory Control
    6. Chapter 6Why Sushi Can Be Made with Bare Hands
  2. Part II Shari: Sushi Rice

    1. Chapter 7Knowing Rice: Rice and Cooking It
    2. Chapter 8Sushi Vinegar and Seasoning
    3. Chapter 9Shari-giri and Temperature
  3. Part III Knowing Fish

    1. Chapter 10What Happens After a Fish Dies: Rigor Mortis, Aging, and Spoilage
    2. Chapter 11Judging and Buying Fish
      1. 11.1 Judging Whole Fish
      2. 11.2 Judging Saku and Fillets
      3. 11.3 Wild and Farmed Fish
      4. 11.4 Peak Season
      5. 11.5 Fishing Methods, Origin, Distribution, and QualityGrade 1 only
      6. 11.6 The Practical Side of BuyingGrade 1 only
      7. 11.7 Buying Fish Outside Japan
    3. Chapter 12Freezing and Thawing
    4. Chapter 13Prep Work: Salt, Vinegar, Kombu, Skin, and Bones
  4. Part IV Toppings (Neta)

    1. Chapter 14Tuna
    2. Chapter 15White-Fleshed Fish
    3. Chapter 16Hikarimono (Silver-Skinned Fish)
    4. Chapter 17Shrimp, Crab, Squid, and Octopus
    5. Chapter 18Shellfish
    6. Chapter 19Simmered Toppings, Tamagoyaki, Uni, and Ikura
  5. Part V Seasonings and Condiments

    1. Chapter 20Soy Sauce, Nikiri, Tsume, Dashi, and Umami
    2. Chapter 21Wasabi, Nori, Gari, and Tea
  6. Part VI Techniques and Tools

    1. Chapter 22Knives and Whetstones
    2. Chapter 23Filleting and Kiritsuke
    3. Chapter 24Nigiri and Rolls
  7. Part VII History and the Chef's Mindset

    1. Chapter 25The History of Sushi: From Street Stalls to the World
    2. Chapter 26Standing at the Counter — Customer Service, Omotenashi, and the Chef's Responsibility
  8. Part VIII Running a Sushi Restaurant

    1. Chapter 27The Flow of Money: Food Cost, Yield, and PricingGrade 1 only
    2. Chapter 28Purchasing, Inventory, and LossGrade 1 only
    3. Chapter 29Preparing to Open a RestaurantGrade 1 only
    4. Chapter 30Attracting Guests and Building RegularsGrade 1 only
    5. Chapter 31People and Systems in the RestaurantGrade 1 only
  9. Appendices Reference

    1. Appendix AQuick Reference: Key Numbers, Temperatures, and Times
    2. Appendix BFood Poisoning Reference Tables
    3. Appendix CSushi Words and Glossary
    4. Appendix DSeasonal Calendar
    5. Appendix EExam Scope and Weighting

The narration reads the main text, columns and summary. Tables, figures and review questions are not read. While it plays, tap a paragraph to listen from there.

Part III Knowing Fish

Chapter 11

Judging and Buying Fish

Good sushi can only be made from good fish. However sharp your knife skills are, you cannot make up for a fish that was a bad buy. In this chapter, you will learn how to judge the freshness of fish, the difference between wild and farmed fish, and the reasons behind peak seasons. Grade 1 goes further, into fishing methods and distribution, the practical side of buying, and buying fish outside Japan.

In this chapter you will learn

  • To judge the freshness of whole fish and saku (trimmed blocks of fillet) by the eyes, gills, belly, smell, drip, and other signs
  • To explain the difference between wild and farmed fish in terms of fat, supply, and parasites
  • To explain why peak season is linked to spawning and water temperature, and what hashiri (first of the season), sakari (peak), and nagori (end of the season) mean
  • To explain how fishing methods and killing methods affect the flesh and the price (Grade 1)
  • To describe how to work with intermediate wholesalers (nakaoroshi) and what to watch for when buying fish outside Japan (Grade 1)

11.1 Judging Whole Fish

A fish starts to go bad in the places with the most blood and bacteria. These are the gills, the guts, and the slime on the skin. Changes also show early in the eyes, where loss of moisture is easy to see. So when you practice judging fish quality (mekiki), look at the gills, belly, and eyes first. Do not decide on one sign alone. Judge by putting several signs together.

Table 11-1 How to judge the freshness of whole fish
What to checkFresh fishFish going bad
EyesClear, with distinct black pupils, bulging outCloudy white, sunken
GillsBright red, with a smell of the seaBrown to gray. The slime is cloudy and smells
SkinGlossy, with a thin, clear slimeFaded color. The slime is cloudy white and stringy
BellyTaut and firmSoft, sunken, or split
SmellA sea aromaFishy, sour, or sharp in the nose
FeelSprings back at once when pressed. Stays level when held by the head and tailA pressed mark remains. Sags when held

A fresh fish has clear eyes, bright red gills, a firm belly, and clear slime. However, a fish that has touched ice directly can have cloudy white eyes even when it is fresh. This is called ice burn. That is why you do not judge by the eyes alone.

Why You Check These Places

  • Eyes The proteins in the membrane on the surface of the eye change, and the eyeball loses water. So the eye becomes cloudy and sunken. It may also become bloodshot.
  • Gills They hold a lot of blood and have a large surface area. Hemoglobin, the red pigment of blood, oxidizes and turns brown, and bacteria grow here first.
  • Skin While the fish is alive, the slime is a film that protects its body. After death, it becomes a breeding ground for bacteria.
  • Belly Spoilage starts in the guts. Digestive enzymes and gut bacteria dissolve the belly wall, and the belly splits open. This is called belly bursting.
  • Vent In a fresh fish, the vent is tight. When gut bacteria grow and the gut wall breaks down, the vent opens, the contents leak out, and the color around it changes.
  • Smell and springiness A fishy smell and an ammonia smell come from substances made by bacteria (Chapter 10). A pressed mark remains because the proteins that frame the flesh have broken down and the cells have collapsed.
  • Rigor A fish in rigor, or just after rigor has passed, is a sign of freshness. But fish killed by nojime (fish left to die in the net or on ice) and fish kept in a warm place come out of rigor quickly. So you cannot judge time by rigor alone.

11.2 Judging Saku and Fillets

A saku is a block of flesh cut for sashimi or nigiri. When you cannot see the whole fish, as with saku or fillets, judge by the cut surface.

The first sign is drip, the liquid that comes out of the flesh. A small amount of clear drip is no problem. A large amount of cloudy red drip means the fish has been kept a long time or was thawed badly. The second sign is color. Choose white-fleshed fish with a clear look, and red-fleshed fish from bright red to deep red. Yellowed fat means the fat has oxidized. Brown on red flesh means the iron in the red pigment of the flesh has oxidized (Chapter 14). The third sign is the dark meat (chiai), the darker part that runs through the middle of the flesh. It changes from bright red to dark red and then black. If its edges are blurred, the fish is old. Fourth, check that the cut surface is glossy and not split between the muscle layers.

What to Look For in Each Kind of Fish

A lot of cloudy red drip can also mean the fish has been frozen and thawed more than once. A cut surface that is dry and split between the muscle layers means the fish was forced through filleting during rigor, or its cells were broken during thawing. A milky white color in white-fleshed fish means it is partway through aging or deterioration.

Tuna
At the market, tuna is judged by the cross-section of the tail. Choose fish whose flesh looks clear, with fine, even lines of fat and bright dark meat. A cut surface that is cloudy white and crumbly is yake (burnt flesh) (11.5). Darkening is browning (metmyoglobin formation) (Chapter 14).
White-fleshed fish: sea bream, olive flounder (hirame), and Japanese sea bass (suzuki)
All the basic checks apply. In addition, look at the color of the skin (11.3). Also check for the hole left by ikejime (killing the fish instantly and bleeding it) and the bleeding cuts (Chapter 10).
Blue-backed fish: horse mackerel, mackerel, sardines, and Pacific saury
The tautness and firmness of the belly matter most. The enzymes in their guts are strong, so they dissolve from the belly. Never use a fish with a burst belly. Also check how clear the eyes are, how vivid the stripes of mackerel and the silver of horse mackerel are, and the color of the gills. Because of the risk of histamine, do not use them raw if you have even a little doubt (Chapter 3).
Squid
In a live squid, the color dots in the skin, called chromatophores, move, and the brown spots look dark. Over time, the color dots set in an open state and turn brown, and then the squid turns cloudy white. Choose squid with clear flesh, clear eyes, and springy flesh.
Shellfish
For bivalves, choose ones whose shells are closed, or close when touched. A shellfish that stays open and does not react is dead. For sea snails, choose ones whose lid is shut tight and whose body pulls back when touched. Judge shucked shellfish by their clear look, gloss, and smell of the sea.
Shrimp
Choose shrimp with clear-looking shells and heads firmly attached to the body. Blackening that starts from the head is blackspot (melanosis) caused by enzymes. It is not spoilage itself, but it is a sign that time has passed.

11.3 Wild and Farmed Fish

Farmed fish grow in a holding pen (live tank), an enclosure built in the sea. They do not swim much, and they eat fatty feed every day. So fat builds up all over their bodies, whatever the season, and the flesh looks whitish. Wild fish keep swimming in search of food. Their fat builds up mainly on the belly side in the period before spawning, and it is lost after spawning.

Farming has an advantage. You can buy fish of the same size and the same fat content all year round, on fixed days, at fixed prices. Farmed fish are often shipped after ikejime or shinkei-jime (destroying the spinal cord), and they are often in better condition than wild fish killed by nojime. Also, farmed fish raised on formulated feed, made by pressing fish meal and other ingredients together, do not eat krill or small fish. Krill are small shrimp-like creatures, and both krill and small fish carry Anisakis. So the risk of parasites is extremely low (Chapter 3). However, this does not apply to fish raised in the sea from wild-caught fry, or to fish raised on raw feed.

Catching wild young fish and fattening them in pens is called ranching. It is different from closed-cycle aquaculture, which raises fish from eggs. In both cases, the fish are kept on fatty feed, so fat spreads all through their bodies, whatever the season. Rich fat is attractive, but it can become heavy over several pieces. So handle these fish differently from wild fish, for example by slicing them thinner.

It is not true that "wild is better and farmed is worse." A well-managed farmed fish is often better as neta (topping) than a wild fish that has grown thin after spawning. What matters, wild or farmed, is to match the fat of that fish. Change the thickness of the slices and how you pair the topping with the shari (sushi rice).

Quality and Appearance of Fat

The feed for farmed fish is mainly fish meal and fish oil. Their fat is not only more plentiful. It is also said to melt at a slightly lower temperature, reflecting the fat in the feed. It has the strength of spreading richly in the mouth, but as you keep eating, it can feel "heavy." Fat also gets into the muscle, so even red-fleshed fish can look pinkish. Wild Japanese amberjack (buri, yellowtail) is red on the back and white only on the belly. Farmed amberjack is white all over, as if marbled. The fat of wild fish reflects its food, such as small fish and shrimp, and has aroma and acidity.

Farmed red sea bream (madai) are exposed to sunlight in shallow pens, so their body color darkens. Their tail fins are worn round by rubbing against the net, and many have no divider between their nostrils. Wild red sea bream live in deep water, so they are a vivid cherry-blossom pink with small blue spots scattered on the back and pointed tail fin tips. In recent years, fish farming has improved. For example, shade nets keep the color, and citrus or herbs mixed into the feed change the smell of the fish.

Pre-Harvest Fasting, and an Exception for Freezing

Farmed fish are taken off feed for several days before shipping. This is called pre-harvest fasting, and it reduces the contents of the gut. The EU exempts farmed fish that meet certain conditions from the requirement to freeze fish before it is eaten raw, because the risk of parasites is low (Chapters 1 and 3). Wild or farmed, chefs adjust to the amount and quality of fat. They change the thickness of the slices, the strength of the vinegar in the shari, the condiments, and whether to sear the fish (Chapters 14 and 23).

More About Ranching

In ranching, besides young fish, adult fish that have grown thin after spawning or for other reasons may also be caught. They are then fed and fattened for several months to several years. Typical examples are Pacific bluefin tuna (in the Mediterranean, Mexico, and the waters around Japan) and Japanese amberjack raised from wild fry called mojako. Ranched tuna are given a lot of fatty feed such as sardines and mackerel. So fat spreads through the whole body, even into parts that would not yield toro (fatty tuna) in a wild fish. The fat melts richly in the mouth. But because the layers of fat are thick, eating too much feels heavy, and the acidity and aroma of the lean red meat are often weak. Sushi restaurants work around this in several ways. They pair it with wild lean meat, slice it thinner, serve it with shari seasoned with stronger vinegar, or use aburi (searing with a flame) to melt off fat.

11.4 Peak Season

Peak season (shun) is the time when a fish's fat and flavor are at their best. For many fish, peak season comes before spawning. The fish eat a lot to make eggs or milt, and they store the nutrients as fat. Once spawning begins, the nutrients go to the eggs or milt, and the flesh becomes thin and watery. Right after spawning, any fish loses flavor. Also, as the water temperature drops toward winter, fish store fat to get through the winter. Fish with "kan" (winter) in their names, such as winter buri, kan-birame (winter hirame), and kan-saba (winter mackerel), taste good. This is said to be because the fat stored before spawning and the fat stored for winter come together. In summer, on the other hand, the water is warm and the body works faster. So even if a fish eats the same amount, less of it remains as fat.

Peak season has three stages. Hashiri, at the start, is when the fish are smallish and have less fat, but have a good aroma and bite. Sakari is when the flavor is at its best and the price is also highest. Nagori, at the end, is when the fat remains but the flesh starts to loosen. Chefs look at both flavor and price to decide. They may pay a high price for fish in sakari, or buy fish in hashiri or nagori at a lower price and make up the difference with their preparation work. During spawning, the flesh loses flavor, but a different delicacy appears: shirako (milt) and mako (roe). Going outside peak season does not mean doing it without knowing. It means knowingly choosing a different value.

Peak season moves with sea temperatures. Even for the same fish, it can differ by 1 to 2 months between the north and the south. Sometimes a school finishes spawning in the south, moves north, and reaches its peak in the north. The peak seasons of the main toppings are listed in Appendix D. They are guides based on markets in the Kanto region, so check the peak seasons of the seas your own restaurant buys from.

Pacific bluefin tuna spawn from spring to summer and use up their body fat to do so. In summer, Pacific bluefin tuna has lost its fat, its flesh is firm, and its iron flavor and acidity come to the front. This is called summer bluefin. Southern bluefin tuna, from the Southern Hemisphere, have the opposite season, and they are fatty during the Japanese summer (Chapter 14).

Why Summer Tuna Tastes Sour

Pacific bluefin tuna spawn around the Nansei Islands from about April to July, and in the Sea of Japan from about July to August. They swim long distances and use up their fat. So the true flavor of the lean red meat, once covered by fat, comes to the front. That flavor is the metallic taste of the iron in myoglobin, the red pigment, and the sourness of lactic acid in the muscle. Tuna swim fast, so their muscles hold a lot of glycogen and produce a lot of lactic acid after death. In winter tuna, this sourness is hidden by the sweetness of the fat. This is thought to be why people say "summer tuna is sour." It is different from the sourness of spoilage. It suits guests who like light, lean red meat, but it disappoints guests who want toro. This is why, in summer, many restaurants use southern bluefin tuna from the Southern Hemisphere, whose season is the opposite, or tuna from the Atlantic and the Mediterranean, or ranched tuna (Chapter 14).

11.5 Fishing Methods, Origin, Distribution, and Quality

The same fish, from the same sea, on the same day, can have completely different flesh depending on how it was caught. The suffering and injuries caused by the fishing method lead directly to the loss of ATP, the energy source, and to contamination by bacteria (Chapter 10).

Table 11-2 Main fishing methods and their effects on the flesh
Fishing methodMain fishEffect on the flesh and quality
Pole-and-line (ippon-zuri)Skipjack tuna (katsuo, bonito), tuna, horse mackerel, mackerel, squidEach fish is landed quickly, one at a time, and can be killed by ikejime at once. No rubbing and no injuries. Highest in both quality and price
Longline (haenawa)Tuna, marlinA long line with many hooks is set adrift. Landing can take several hours or more, so some fish die struggling and some develop yake. Quality varies greatly from fish to fish
Set netJapanese amberjack, red sea bream, mackerel, horse mackerel, squidThe fish are alive in the net, so they can be killed by ikejime as they are landed. They are damaged when landed in large numbers and crushed together. Most brand-name fish are caught by set net or by line
Purse seineSardines, mackerel, skipjack tuna, tunaThe net surrounds a school and is drawn closed. The fish crowd together, struggle, and lose scales. Standard for small blue-backed fish, but yake is a problem for large tuna
Bottom trawlFlounder, olive flounder, shrimp, squidThe net is dragged along the seabed for a long time, so fish are rubbed, covered in mud, and prone to belly bursting. Only fish that could be killed by ikejime are suited to sushi
Farmed fish shipmentsRed sea bream, Japanese amberjack, greater amberjack (kanpachi), striped jack (shima-aji), salmonShipped after pre-harvest fasting and ikejime or shinkei-jime. Often transported alive. Quality is consistently high

Remember this: pole-and-line fish fetch the highest prices, and few bottom-trawled fish are suited to sushi. Yake is especially important. Tuna and skipjack tuna have a system that keeps their body temperature higher than the surrounding seawater. If they struggle for a long time on a longline or in a purse seine, their muscle temperature goes above 30°C, and lactic acid makes the pH drop sharply. This heat and acid change the proteins, and the flesh becomes cloudy white, sour, and watery. A fish with yake will not recover, however it is aged. Line-caught fish fetch high prices not "because they were caught on a line," but "because they were killed quickly."

Origin and Distribution

Here is the basic flow for fish in Japan. At the market in the producing area, fish pass from fishers to brokers (nakagai). At the central wholesale market in the consuming area, they pass from wholesalers to intermediate wholesalers (nakaoroshi). The intermediate wholesalers then deliver them to restaurants. Intermediate wholesalers are also called nakagai. They buy fish at the market and sell it to restaurants. Prices are set by auction or by negotiated sale, in which the seller and buyer agree on a price by talking it over. Shipping direct from the source, from producers or brokers in the producing area straight to restaurants, is also growing. Its advantage is that you can specify the killing method and the shipping time.

Brands such as Seki-saba and Seki-aji, Akashi sea bream, Oma tuna, and Himi buri are not just about good waters. What gives them meaning is that an organization guarantees the fishing method, the killing method, and the control of time and temperature until shipping. Do not feel safe just because of a label saying "from such-and-such place." On the other hand, fish from a fisher who carefully kills and bleeds them are no worse than brand-name fish, even from an unknown area. At the market, fish killed by ikejime or shinkei-jime clearly sell for more than fish killed by nojime, even for the same kind and size of fish. This difference is the price paid for the energy source that remains and for longer shelf life.

11.6 The Practical Side of Buying

Your Relationship With Intermediate Wholesalers

Buying fish is about relationships with people. At first, keep going to one intermediate wholesaler and tell them specifically which fish, what size, what use, and what budget you have. "What use" means nigiri, rolls, or simmering. Intermediate wholesalers do not pass good fish to customers who go from shop to shop looking only at price. Good fish are few, and they sell them first to customers they can trust. There is one way to tell whether an intermediate wholesaler is trustworthy. When the fish is bad, do they say "Today's isn't good"? A good intermediate wholesaler will suggest a substitute if the fish you ordered is not good, and will also tell you the outlook for next week.

What to Watch at the Market, and Taking Fish Back

At the market, look not only at the fish but also at how it is handled. Is there enough ice? Are the fish sitting in meltwater? Are they drying out in the sun or in the wind from a fan? Are they stacked so that the fish underneath are crushed? Fish from a shop that handles them badly carry many bacteria, even if they look fresh, and cannot stand up to aging. Move the fish you buy into your own foam box right away. Wrap the fish in paper or bags so they do not touch ice directly, and carry them in a box with holes to let meltwater drain. Do not leave them in the car. Process them as soon as you reach the restaurant (Chapter 5).

Quantity and Price

To decide how much to buy, estimate the number of pieces you need from your reservations and your average number of guests. Then work backward from the yield. Yield is the share of usable flesh from a whole fish. As a guide, it is about 30 to 40% of the original weight for red sea bream, and about 40 to 50% for blue-backed fish. Decide in advance where leftover fish will go: cooked dishes, cured dishes, the staff meal (makanai), or aging for the next day. Then you will not cut your purchases too much out of fear of loss. Prices rise after rough seas (shike), around market holidays, at the end of the year, and before long holidays. Do not force yourself to buy expensive fish. Being able to prepare substitute toppings that play the same role keeps a restaurant stable. You will learn more in Chapters 27 and 28.

11.7 Buying Fish Outside Japan

Buying fish outside Japan is harder than in Japan. In Japan, the cold chain, which keeps fish cold without a break from catch to restaurant, is taken for granted. In many countries, this chain is broken along the way. It is not unusual for fish to sit on market tables at room temperature, for ice to run short, or for trucks to have no refrigeration. A fish that spent a long time above 10°C along the way carries many bacteria, even if it looks fresh.

Also, the label "sushi grade" has no legal definition. It is just a claim made by the seller. Do not rely on the label. Check the freezing records in writing: when the fish was frozen, at what temperature, and for how many hours. If the records are unknown, freeze the fish in your restaurant at −20°C or below for 24 hours or more before use (Chapter 12).

Freezing Standards, and the Dangers of Local Fish

Japan has standards for "fresh seafood for raw consumption" under Japan's Food Sanitation Act. They cover things such as the count of Vibrio parahaemolyticus bacteria and storage at 10°C or below. However, these are minimum hygiene standards, not quality grades for toppings. What the United States and the EU set are freezing conditions to control parasites. The U.S. FDA Food Code sets conditions such as −20°C or below in the freezer for 7 days, including the time to freeze, or freezing at −35°C or below and then holding at −35°C for 15 hours. The EU sets −20°C or below in every part of the product for 24 hours or more, or −35°C or below for 15 hours or more (Chapters 1 and 12).

Freshwater fish carry parasites that sea fish do not, such as Gnathostoma and the Chinese liver fluke. Large fish living on tropical coral reefs carry a risk of ciguatera toxin. Fish of the mackerel family and mahi-mahi are high in histidine.

Outside Japan, make active use of farmed fish. Salmon, hamachi (young or farmed Japanese amberjack), red sea bream, striped jack, sea bass, kuruma prawns, and others are available in many countries. Killing and temperature control are in place from the start, and the risk of parasites is low. Good local farmed fish is often safer and tastier than wild fish flown in from Japan.

Chapter summary

  • Judge freshness by the gills, belly, and skin slime, where damage starts, and by the eyes. The gills should be bright red, the belly firm, and the slime clear. Ice burn can make the eyes cloudy, so do not decide on one sign alone.
  • Judge saku and fillets by drip, color, dark meat, and the gloss of the cut surface. Fish with a lot of cloudy red drip, or with dark meat whose edges are blurred, are old.
  • Farmed fish have stable fat and supply, and fish raised on formulated feed have an extremely low risk of parasites. It is not true that "wild is better." Change how you slice and the shari to match the fat.
  • For many fish, peak season comes before spawning, and fish get even fattier when winter fat is added. Use hashiri, sakari, and nagori fish according to both flavor and price.
  • In summer, Pacific bluefin tuna loses fat through spawning, and its iron flavor and lactic acid sourness come to the front. Southern bluefin tuna from the Southern Hemisphere has the opposite season. Yake is flesh changed by heat and acid after the fish struggles, and aging cannot reverse it (Grade 1).
  • Keep going to one intermediate wholesaler to build trust, and choose one who tells you when the fish is bad. Work out the quantity from the number of pieces needed and the yield (Grade 1).
  • Outside Japan, assume that the cold chain is broken. Check the freezing records, not the "sushi grade" label. As a rule, do not serve freshwater fish raw.

Review questions

Q1 Which of the following is the correct way to judge the freshness of a whole fish?
a A fish with cloudy white eyes can always be judged to be old.
b Cloudy white, stringy slime on the skin is a sign that the fish is fatty.
c A fish with bright red gills that smell of the sea, and a taut, firm belly, is fresh.
d A fish with a soft belly is fatty and suited to sushi toppings.
e A fish whose belly sags when you hold it level by the head and tail is fresh.

Answer: c

The gills are the first place to go bad, so if they are bright red and smell of the sea, the fish is fresh. If the belly is firm, the guts have not yet started to dissolve. a is wrong, because eyes that have touched ice directly turn cloudy white even when the fish is fresh. b is also wrong. Cloudy white, stringy slime is a sign that the fish is going bad. The soft belly in d is a sign that damage has started from the guts. e has it backward. A fresh fish stays stiff like a stick, and an old fish sags.

Q2 Which of the following is correct about wild fish, farmed fish, and peak season?
a Wild fish have fat all over their bodies all year round, whatever the season.
b Farmed fish raised on formulated feed have an extremely low risk of Anisakis.
c Farmed fish always taste worse than wild fish.
d For many fish, peak season comes right after spawning, and they are fattiest after spawning.
e Nagori is the start of the season, when the aroma and bite are good.

Answer: b

Farmed fish raised on formulated feed do not eat the krill or small fish that carry Anisakis, so their risk of parasites is extremely low. a describes farmed fish. The fat of wild fish builds up before spawning and is lost after spawning. c is wrong. A well-managed farmed fish is often better than a wild fish that has grown thin after spawning. d is wrong. For many fish, peak season comes before spawning. The start of the season in e is hashiri. Nagori is the end of the season.

Q3 Which of the following is correct about fishing methods and buying fish?
a Line-caught fish are expensive because the stimulus of the hook increases the umami of the flesh.
b Even a fish with yake returns to normal if it is aged long enough at 0 to 2°C.
c A trustworthy intermediate wholesaler always says "Today's is good," whatever the condition of the fish.
d Tuna that struggle for a long time on a longline or in a purse seine can develop yake, as their muscle temperature rises and lactic acid lowers the pH.
e If a fish has a label from a famous producing area, there is no need to check how it was killed or how its temperature was controlled.

Answer: d

Tuna and skipjack tuna have a system that keeps their body temperature high. If they struggle for a long time, their muscles go above 30°C, and lactic acid makes the pH drop sharply. Yake is the change in proteins caused by this heat and acid. a is wrong. Line-caught fish taste good because they are landed in a short time and killed right away. b is also wrong. A fish with yake will not recover, however it is aged. c has it backward. An intermediate wholesaler who says "Today's isn't good" when the fish is bad is the one you can trust. e is also wrong. The value of a brand lies in its guarantee of the fishing method, the killing method, and temperature control. Do not feel safe because of the label alone.